Unwritten Letters




Premiere on May 2017 at Théâtre Ouvert
There are three versions:
- In situ
- With sand drawing
- With sand drawing and music
Design
David Geselson
Writing and performance, depending on the format
Written by (in rotation)
Samuel Gallet
David Geselson
Julie Ménard
Jérémie Scheidler
Alice Zeniter
Performed by
Sharif Andoura
Charlotte Corman
Servane Ducorps
David Geselson
Marina Keltchewsky
Laure Mathis
Juliette Navis
Elios Noël
Alma Palacios
Drawing on sand
Elodie Bouédec
Live music (in rotation)
Jérémie Arcache
Myrtille Hetzel
Valentin Mussou
Set design
Lisa Navarro
Lighting design
Anne Vaglio
General manager, lighting and sound
Arnaud Olivier
Sylvain Tardy
Video design
Julien Reis
General manager, tour manager
Noura Sairour
Production manager
Laëtitia Fabaron
Duration 1h
« If you’ve ever wanted to write a letter to someone but never did, because you didn’t dare, didn’t know, couldn’t or didn’t manage to go through with it, tell me about it and I’ll write it for you.
We’ll spend 35 minutes together, during which you’ll tell me about this unwritten letter. I’ll then spend 45 minutes writing it for you. Once the letter is written, I’ll read it to you.
If you’re happy with it, you can keep it (in whatever form), and if not, I’ll delete it and leave no trace of it. Finally, if it suits you and you agree, I may do something with it in the theatre, on the understanding that all the letters will be made anonymous. »
That was the premise on which I started. The Unwritten Letters project has continued ever since, city after city. The writing sessions always take place over the course of a day, and then in the early evening we work with part of the Lieux-Dits company team to prepare a theatrical form based on these letters. A dozen or so letters are read each evening, and we mix the letters of the day with those from other towns, adding letters from Paris to Orléans, from Arles to Saintes, from Toulouse to New York, from New York to Lorient and from Lorient to Duclair.
It’s a deliberately short, rapid, incomplete form of creation, built up in a few hours. To say, among other things, that theatres can welcome this too, the chance to come and talk, to have something written for you, to get along with you in the world.
I’m now inviting other authors to write in some of the places we go. Julie Ménard, Alice Zeniter, Samuel Gallet and Jérémie Scheidler are mixing their words with mine.
A kind of community of invisible words is being built up as we move from place to place. A community of ills, too, that spans time.
David Geselson
Produced by
Compagnie Lieux-Dits
Compagnie Lieux-Dits is accredited by the Ministère de la Culture – DRAC île-de-France and the Val-de-Marne department as part of its development aid.
The text Unwritten Letters is the winner of CONTXTO Artcena and has been translated in Spanish (Chili) by Millaray Lobos.
The text Lettres non-écrites (Unwritten Letters) is published by Le Tripode publishing
David Geselson received the price Revelation for the first novel 2022 by the Société des Gens de Lettres.
Vidéo
Press review
Monde des livres, La Matinale
Le Monde, Christophe Averty
La Vie, Hugues Le Tanneur
L’Humanité
Télérama, Emmanuelle Bouchez
Avantages
AOC, Émilie Chaudet
Le Canard enchaîné
France Culture, « Affaires Culturelles » par Arnaud Laporte
France Culture, « À quoi pensez-vous ?
France Inter, « Modern Love » par Nadia Daam
TSF Jazz, « Coup de projecteur » par Laurent Sapir
RFI, « De vive(s) voix » par Pascal Paradou
France Inter, « C’est une chanson » par Frédéric Pommier
Radio Nova, « L’Arche de Nova » par Richard Gaitet
Louie Media, « Fracas » par Charlotte Pudlowski
Médiapart, Jean-Pierre Thibaudat
Toute la culture, Amelie Blaustein Niddam
Mouvement magazine culturel indisciplinaire, Agnès Dopff
France Culture, « Par les temps qui courent » par Romain De Becdelièvre
L’oeil d’Olivier, Olivier Frégaville
Libération, Eve Beauvallet
Le Monde, Brigitte Salino
IoGazette.fr, Audrey Santacroce
France Culture, « Une vie d’artiste » par Aurélie Charon
Un Fauteuil pour l’orchestre, Isabelle Blanchard
La Dépêche
Théâtrothèque.com, Thiery Lola
Paris Normandie.fr
Fréquence Sud.fr
« [David Geselson] lets loose the pleasure he derives from these Unwritten Letters—“the pleasure in making a community,” he underlines. That of making yourself vanish, of disappearing into other people’s voices, while sometimes allowing their letters to lost loves to quietly resonate with his own. »
Ève Beauvallet, Libération
« All these letters are anonymous. David Geselson now has about forty of them, addressing love, loneliness, hatred, separation and reconciliation, sometimes even beyond death. To allow them to be heard on stage is to return in the simplest way possible to the equation of theater, which according to David Geselson is ‘the place that allows words to exist’. »
Brigitte Salino, Le Monde
« With his tremendous honesty and a great deal of modesty, he reveals the yawning gap left by a breakup and remembers his father rediscovering buried memories of the Second World War after a brain hemorrhage. Staying in the background but nevertheless present in each of these Unwritten Letters, he discreetly allows his voice to be heard and asserts himself as an author. »
Sophie Joubert, L’Humanité
« During the day, five spectators are invited to have a one on-one conversation about a letter they never dared to send. David Geselson writes the letter and it is read on stage that evening. This way all sorts of voices compose an emotional portrait of humanity, through feelings softened by time. (…) His deeply intimate writing allows for strikingly profound acting. »
Emmanuelle Bouchez, Télérama
Dates à venir
Théâtre des Bouffes du Nord
15 May 2025 - 17 May 2025
Théâtre-Sénart, scène nationale, en itinérance à Souppes-sur-Loing
20 May 2025
Théâtre-Sénart, scène nationale
22 May 2025 - 24 May 2025